Priest’s silky-smooth voice was ideally suited for light, romantic material that fused
reggae backbeats with R&B’s romanticism, and his most popular work was as sensual as it was soulful.

Priest was born Max Elliott on June 10, 1962 in the Lewisham area of London. He was the eighth of nine children,
born to parents who had emigrated from Jamaica several years before his birth. His mother was active in the
Pentecostal church, and the family grew up singing gospel music together; Elliott would later convert to
Rastafarianism, at which point he changed his name to Maxi Priest. He was working as a carpenter when he was
invited to build speaker boxes for the prominent Saxon International sound system. It wasn’t long before his
contacts there discovered that he could sing as well, and soon he was participating in live dancehall shows; in 1984,
he and Paul “Barry Boom” Robinson also co-produced Phillip Levi’s “Mi God Mi King,” the first U.K.-born reggae
single to hit number one in Jamaica.

Priest signed with Virgin Records and released his debut album, You’re Safe, in 1985. A more traditional reggae set
than his subsequent releases, it featured production by Robinson and live instrumental backing from the band
Caution, and spun off the U.K. hit “In the Springtime.” His 1986 follow-up, Intentions, featured two more U.K.
successes in “Strollin’ On” and the Van Morrison cover “Crazy Love.” However, it was 1988’s Sly & Robbie-produced
Maxi Priest that ranked as his true breakthrough; his Top 30 cover of Cat Stevens’ “Wild World” gave him his first
American hit, and another cover, Robert Palmer’s “Some Guys Have All the Luck,” kept his hit streak alive in the
U.K. Elsewhere, he embraced slinky lovers rock grooves to a greater extent than ever before, and even made a rare
detour into social consciousness with the Beres Hammond duet “How Can We Ease the Pain?”

Now hugely popular in the U.K., and on his way in the U.S., Priest recorded what would become his biggest-selling
album, Bonafide. Released in 1990, it climbed up the charts by virtue of the steamy, Soul II Soul-influenced single
“Close to You,” which went all the way to number one on the American pop charts. Follow-ups “Just a Little Bit
Longer” and “Space in My Heart” failed to duplicate its success Stateside, although “Peace Throughout the World”
and “Human Work of Art” were both popular in Britain. The hits collection Best of Me was rushed out in 1991, not
long after Priest teamed with Shabba Ranks for the dance-club hit “House Call,” and not long before another Priest
duet, the Roberta Flack collaboration “Set the Night to Music,” climbed into the U.S. Top Ten. Nonetheless, Priest’s
next album, 1992’s Fe Real, was a solid outing but a commercial disappointment; neither of the American singles,
“Groovin’ in the Midnight” or the Shaggy duet “One More Chance,” made much of an impact either. After a
supporting role in the movie Scam, Priest took a sabbatical from recording for a few years to concentrate on
launching his own U.K. label, Dugout.

Priest returned in 1996 with Man with the Fun, the most crossover-oriented album in his catalog to date. It spun
off a Shaggy duet, “That Girl,” which hit the U.K. Top 20. Despite its dancehall flavor, much of the album found Priest
moving away from the lovers rock that had made his name. That trend continued on 1999’s CombiNation, which
focused predominantly on hip-hop and smooth soul balladry. Duet singles, guest appearances, and a 2003 U.S. tour
with Joan Osborne, Bootsy Collins, and Motown’s the Funk Brothers took the singer to his 2004 album 2 the Max.
It was followed in 2007 by the album Refused, while 2008 saw him hit the road with UB40 and collaborate with the
band on the single “Dance Until the Morning Light.” In 2012 the Maximum Collection set rounded up both his
global and Jamaican singles, and two years later, the album Easy to Love arrived on the VP label with Sly & Robbie
and Beres Hammond among its guests.